voice
Found in 32 Collections and/or Records:
Handel, George Frideric (1685-1759). Judas Maccabeus; an Oratorio. Composed by Mr. Handel, For the Voice, Harpsichord, and Violin; with the Choruses in Score. London: Printed for Harrison & Co., No. 18, Paternoster Row, , [1784]
This finding aid describes the contents of the music periodical The New Musical Magazine from 1783 to 1786.
Handel, George Frideric (1685-1759). L'Allegro, Il Penseroso, ed Il Moderato. Composed by Mr. Handel, For the Voice, Harpsichord, and Violin; with the Choruses in Score. London: Printed for Harrison & Co., No. 18, Paternoster Row, , [1784]
This finding aid describes the contents of the music periodical The New Musical Magazine from 1783 to 1786.
Handel, George Frideric (1685-1759). Samson; an Oratorio. The Words taken from Milton. Composed by Mr. Handel, For the Voice, Harpsichord, and Violin. With the Choruses in Score. London: Printed for Harrison & Co., No. 18, Paternoster Row, , [1785]
This finding aid describes the contents of the music periodical The New Musical Magazine from 1783 to 1786.
Handel, George Frideric (1685-1759). Saul; an Oratorio. Composed by Mr. Handel, for the Voice, Harpsichord, and Violin; With the Choruses in Score. London: Printed for Harrison & Co., No. 18, Paternoster Row, , [1785]
This finding aid describes the contents of the music periodical The New Musical Magazine from 1783 to 1786.
Handel, George Frideric (1685-1759). The Celebrated Coronation Anthems. Composed by Mr. Handel, for the Voice, Harpsichord, and Violin. London: Printed for Harrison & Co., No. 18, Paternoster Row, , [1785]
This finding aid describes the contents of the music periodical The New Musical Magazine from 1783 to 1786.
Handel, George Frideric (1685-1759). The Grand Dettingen Te Deum; Composed by Mr. Handel, For the Voice, Harpsichord, and Violin; with the Choruses in Score. As performed At St. Paul's Cathedral. London: Printed for Harrison & Co., No. 18, Paternoster Row, , [1784]
This finding aid describes the contents of the music periodical The New Musical Magazine from 1783 to 1786.
Handel, George Frideric (1685-1759). The Messiah; an Oratorio. Composed by Mr. Handel, For the Voice, Harpsichord, and Violin; with the Choruses in Score. London: Printed for Harrison & Co., No. 18, Paternoster Row, , [1785]
This finding aid describes the contents of the music periodical The New Musical Magazine from 1783 to 1786.
Howard, Samuel (1710-1782). The Amorous Goddess. Composed by Dr. Howard, for the Voice, Harpsichord, and Violin. London: Printed for Harrison & Co., No. 18, Paternoster Row, , [1785]
This finding aid describes the contents of the music periodical The New Musical Magazine from 1783 to 1786.
Pepusch, John Christopher (1667-1752). Polly; an Opera. Being the Second Part of the Beggar's Opera. For the Voice, Harpsichord, and Violin. London: Printed for Harrison & Co., No. 18, Paternoster Row, , [1784]
This finding aid describes the contents of the music periodical The New Musical Magazine from 1783 to 1786.
Pepusch, John Christopher (1667-1752). The Beggar's Opera, As it is performed at the Theatres Royal in Drury Lane, and Covent Garden. Composed by Dr. Pepusch, For the Voice, Harpsichord, and Violin. London: Printed for Harrison & Co., No. 18, Paternoster Row, , [1784]
This finding aid describes the contents of the music periodical The New Musical Magazine from 1783 to 1786.