Proof signed by Gill. No further information is listed on this proof. Clark Library has 2 copies of this proof (CEG2411 and CEG1419). D162, CLC5.

Design for a carving. Depicts St. Sebastian with his arms tied to a tree. D170, CLC5.

Proof of a design from a photograph in the Daily Mirror, depicting a male and female ice skater. Signed Eric G in pencil, and numbered 13 out of 50. Fanfare list illustration plate 83. Physick 368.

Proof of an illustration on the title-page of the Large Paper edition of Art-Nonsense and Other Essays (ERG 18) by the artist, printed by the Cambridge University Press for Messrs. Cassell & Co. Ltd., and Francis Walterson, London. Signed in reverse with separated initials EG, and signed EG in pencil. Inscribed: Belle Sauvage II (Sample). Gill #316 (Faber list). Physick 606.

From a group of proofs made between 1910-1928. Proofs from Hamlet: the half-title, beginning of the first Act, three leaves from the text.

From a group of proofs made between 1910-1928. Cranach Presse: Pater noster, qui es in caelis… Two leaves, folded as issued. Proof is from an edition of 20 copies, two initialed by Maillol and printed in color.

From a group of proofs made between 1910-1928. Proofs from the Odyssey. Title-page, contents, first page of text and various other text pages.

Type specimen and/or proof with Gill's corrections and initials. 4pp printed on two sides. The text begins, "But the word pride has a frightening sound…"

Proof of "Specimen of Types from the Golden Cockerel Press now in the St Bride Printing Library, London." Shows 14-pt Golden Cockerel roman and italic, 18-pt Golden Cockerel capitals, and 14-pt Caslon Old Face types.

Trial setting of 2 versions of the text from Luke, Chapter 6 for Golden Press' Four Gospels, 1930/31. Designed by Gill. Page on left headed by Gill, with flourished initial "N"; version on right is re-worded and without initial. Set in Caslon Old Face, 14-pt type. Purchase, Elkin Mathews Ltd., 1964 (accession MS.1964.007).