Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing shows two warriors kneeling toward each other underneath a tree.

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing shows a winged horse.

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing shows a soldier kneeling at an cross, presumably inside a church. Numbered, "10."

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing shows a man riding a winged horse. Numbered, "9."

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing shows Remus and Romulus nursing from the she-wolf.

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing depicts a man riding a winged horse.

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing shows two kings holding staffs with crosses at the top. Numbered, "8."

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing depicts a man flexing his muscles. Numbered, "6."

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing shows a man riding a winged horse holding a scroll. Numbered, "9."

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing shows two men crouched under the weight of two large feet, with hieroglyphics in the background.