Two sketches of reclining nude male figure reached toward a disembodied hand. This appears to be the same image in two stages of planning progress.

Sketch of one panel for the League of Nations project. Segments of the drawing are numbered to indicate how the pieces are being sent. Annotated in Gill's hand to note what parts of the panels had and had not been sent.

Sketch of a panel gridded off for carving. Depicts a reclined nude male figure reaching toward a disembodied hand. Text on panel heightened in red ink, and measurements annotated in Gill's hand.

Sketch of two panels, within which segments are numbered to indicate how the pieces are being sent. Annotated in Gill's hand to note what parts of the panels were sent at what date.

Sketch of two gridded off panels, presumably for carving reference. Panel on the left depicts group of human figures leaping to the right, and the panel on the right depicts a group of animal figures leaping to the left. Latin text is also included in the panels, and red ink measurements in Gill's hand annotate the grids.

Sketch of a panel for the League of Nations project. Panel depicts a nude male figure reclining, reaching toward a disembodied hand. A grid covers the drawing, presumably as reference for carving.

Drawing of woman in profile, previous catalogue entry states that it was identified as Bertha from Gill's diary entries. Formerly in the collection of Alan G. Thomas, purchased by Clark at the Thomas sale at Sotheby's, 1993 (accession MS.1993.007).

Study of a woman's torso done in pencil, shaded and completely drawn, signed E.G.

Pencil drawing of a nude, seated female torso.

Pencil drawing of a nude, seated female torso.