Woodblock for engraving. Reverse letter “L.” CLC1.

Woodblock of hand with eye in its palm. D6. CLC #8.

Woodblock for 1932 Christmas card with the text, “From Eric & Mary Gill Christmas 1932” Physick 849, #539,

Woodblock letter “B.”

Woodblock illustration for p. 51 of “Clothes,” with the caption “Clothes as Workshops,” (J. Cape, 1931). Gill #416, Physick 716, Engravings plate 67.

Semi-circular device created for St. Dominic’s Press with the following letters and numbers, “273028292831/ADMDCCCCXVI.” D-73, Physick 77, Cleverdon plate 11, Never used, no pull.

Diagram for Tristram Shandy (curly line). For GC Pedition, Volume III: 149. Physick 624, Gill #328.

Woodblock illustration used as title page of Douglas Pepler’s “Devil’s Devices,” 1916 (Gill, p. 259). Also used in Nisi Demoinus (Gill, p. 372) on p. 40. Wood Engraved on box-wood, end grain, surface print. Cleverdon (1929), plate 5. No pull.

Woodblock illustration “In Domum Matris meae,” from p. 29 of Song of Songs (Cranach Press). Faber plate 63.

Title page for Sir Thomas More’s “Utopia,” Golden Cockerel Press. Drawn by Eric Gill, cut by Beedham. These are considered “partial” blocks.