Sketch of what appears to be a figure in a window, seen from below.

Original pencil drawing for Canticum Canticorum (unused), showing three naked or semi-naked women, two standing and embracing, the third seated, against a draped background. Physick P614, DR11. Purchase, 2001 (accession MS.2001.022).

Wood engraving print of a dog figure jumping in front of a tree. Red flames surround the tree. Bequest of James Davis, 2001 (accession MS.2001.021).

Proof signed by Gill. No further information is listed on this proof. Clark Library has 2 copies of this proof (CEG2411 and CEG1419). D162, CLC5.

Design for a carving. Depicts St. Sebastian with his arms tied to a tree. D170, CLC5.

Proof of a design from a photograph in the Daily Mirror, depicting a male and female ice skater. Signed Eric G in pencil, and numbered 13 out of 50. Fanfare list illustration plate 83. Physick 368.

Proof of an illustration on the title-page of the Large Paper edition of Art-Nonsense and Other Essays (ERG 18) by the artist, printed by the Cambridge University Press for Messrs. Cassell & Co. Ltd., and Francis Walterson, London. Signed in reverse with separated initials EG, and signed EG in pencil. Inscribed: Belle Sauvage II (Sample). Gill #316 (Faber list). Physick 606.

From a group of proofs made between 1910-1928. Proofs from Hamlet: the half-title, beginning of the first Act, three leaves from the text.

From a group of proofs made between 1910-1928. Cranach Presse: Pater noster, qui es in caelis… Two leaves, folded as issued. Proof is from an edition of 20 copies, two initialed by Maillol and printed in color.

From a group of proofs made between 1910-1928. Proofs from the Odyssey. Title-page, contents, first page of text and various other text pages.