Proof, after a drawing from life. Block later used for illustration as Plate 60 of Engravings by Eric Gill (ERG 17), with a preface by the artist, printed by the Fanfare Press, London, published by Douglas Cleverdon, Bristol. D225, CLC. Physick 256.

Proof of a design for a carving. D227, CLC5. Physick 257.

Proof of a robed Christ on the cross. D228, CLC5. Physick 258.

Proof engraved by Eric Gill after a drawing by David Jones, later carved by him. D232, CLC5. Penciled note on back of paper says that 20 copies were made. Physick 262.

Proof of engraving, depicting a nude male figure standing with head down and one arm reaching upward. Note on the paper mat states: “18, 1st state.”

Proof of engraving, depicting a nude female figure standing with head turned and arms holding hair. Note on the paper mat states: “19, 1st state.”

Proof of engraving, depicting a nude female figure in a half seated pose, with arms folded over her head. Note on the paper mat states: “20, 1st state.”

Proof of engraving, depicting a nude female figure in a dancing pose, hands over her head. Note on the paper mat states: “21, 1st state.”

Proof depicting a nude female figure reclining on a sofa. Signed in reverse EG, signed in pencil Eric G and inscribed with edition number 47 out of 50. Gill #35. Physick 306.

Proof of an illustration on page 17 of The Song of Songs (ERG 275), No. 31 of the publications of the Golden Cockerel Press, Waltham St. Lawrence, Berkshire. Depicts a man and woman in bed. Gill #41. Physick 318.