Proofs printed from the Clark’s Eric Gill woodblocks by Patrick Reagh in March of 1982. This print depicts a hand with an eye in it and hair or beard curling around an empty space.

Proofs printed from the Clark’s Eric Gill woodblocks by Patrick Reagh in March of 1982. This print depicts a man floating in front of a tree with a man and woman on the ground reaching their hands out to meet each other. The text SVR REXIT ALLE LVIA appears.

Proofs printed from the Clark’s Eric Gill woodblocks by Patrick Reagh in March of 1982. This print depicts graphic variations on the letters D, B, P and S.

Proofs printed from the Clark’s Eric Gill woodblocks by Patrick Reagh in March of 1982. This print depicts graphic variations on the letters D, B, P and S, as well as a small image of a home within a wreath like frame.

Proofs printed from the Clark’s Eric Gill woodblocks by Patrick Reagh in March of 1982. This print depicts a stylized map-like figure.

By Frances Darwin Cornford, with inscription by Eric Gill: “Supposed to be the kind of statue of Q. Victoria that E.G. would make if he had the job.” Drawing depicts a standing figure of broad stature. Purchase, ABI Books, 1982 (MS.1982.008)

Drawing of man holding a staff with painted accents. Marked in Gill’s hand to be “Traced from dr. of S. Leonard by H.J.C. The original sent to Charles Leonard Waters." Purchase, ABI Books, 1981 (accession MS.1982.009).

Proof print of man and woman in sexual embrace with implied clouds or wind behind. Signed by Gill.

Drawing of a man and woman in sexual embrace with implied waves or wind behind. Signed by Gill.

Pen and ink drawing of a winged bull standing on a pedestal inscribed with the text “From the collection of Thos. Esmond Ruth Lowinsky”.