From a group of proofs made between 1910-1928. Photographic (mimeographic?) enlargement of type from the Virgil.

From a group of proofs made between 1910-1928. Proof of the setting of the title page of the Latin edition, with a note of the French title in Gill’s hand. Also marked as EG824.

From a group of proofs made between 1910-1928. Eight pages of the Latin edition, wire stitched together and with a penciled note on the cover in Gill’s hand: “Type cut for Count Kessler.”

From a group of proofs made between 1910-1928. Two proofs for the first page of text Daphnis and Chloe, each on different paper. This book was not published. More notes included with proof.

From a group of proofs made between 1910-1928. Proof of an ornamental alphabet design by Gill for the Cranach Presse (possibly Daphne and Chloe).

From a group of proofs made between 1910-1928. Proof of four different settings of the first page of text, using different initial letters.

From a group of proofs made between 1910-1928. Proof of the title page lettering for Margerie’s Eloge de la Typographie. Sent by K. to Gill.

Announcement from the Golden Cockerel Press regarding new editions to be released in the Spring of 1928, including information about the forthcoming release of the Canterbury Tales, The Four Gospels, The Ladies Handbook of Etiquette, Abd-er-Rahman in Paradise, and a sample page from the Canterbury Tales.

Sample sheet in Gill Sans with pencil notes indicated which letters will be red.

From collection of ms drafts of alphabets and sample lettering & calligraphic work. “Study of the Book of Kells.” 15 lines of text.