Miscellaneous engravings by Eric Gill. Male profile facing left.

One of many pencil sketches for Guilford Cathedral (St. Ursula’s porch, St. John the Baptist). Set ranges from rough sketches dated as early as December 1929 to the detailed scale drawings of 1939 and 1940. Many are annotated by Eric Gill. Total collection includes 15 sheets of original drawings, 2 architecture eleven studies, printed article on the Guilford Cathedral Competition results (July 1932).

One of many pencil sketches for Guilford Cathedral (St. Ursula’s porch, St. John the Baptist). Set ranges from rough sketches dated as early as December 1929 to the detailed scale drawings of 1939 and 1940. Many are annotated by Eric Gill. Total collection includes 15 sheets of original drawings, 2 architecture eleven studies, printed article on the Guilford Cathedral Competition results (July 1932). Scale is 1/8 original size.

One of many pencil sketches for Guilford Cathedral (St. Ursula’s porch, St. John the Baptist). Set ranges from rough sketches dated as early as December 1929 to the detailed scale drawings of 1939 and 1940. Many are annotated by Eric Gill. Total collection includes 15 sheets of original drawings, 2 architecture eleven studies, printed article on the Guilford Cathedral Competition results (July 1932).

One of many pencil sketches for Guilford Cathedral (St. Ursula’s porch, St. John the Baptist). Set ranges from rough sketches dated as early as December 1929 to the detailed scale drawings of 1939 and 1940. Many are annotated by Eric Gill. Total collection includes 15 sheets of original drawings, 2 architecture eleven studies, printed article on the Guilford Cathedral Competition results (July 1932).

One of many pencil sketches for Guilford Cathedral (St. Ursula’s porch, St. John the Baptist). Set ranges from rough sketches dated as early as December 1929 to the detailed scale drawings of 1939 and 1940. Many are annotated by Eric Gill. Total collection includes 15 sheets of original drawings, 2 architecture eleven studies, printed article on the Guilford Cathedral Competition results (July 1932). This item is drawn at ½” scale.

One of many pencil sketches for Guilford Cathedral (St. Ursula’s porch, St. John the Baptist). Set ranges from rough sketches dated as early as December 1929 to the detailed scale drawings of 1939 and 1940. Many are annotated by Eric Gill. Total collection includes 15 sheets of original drawings, 2 architecture eleven studies, printed article on the Guilford Cathedral Competition results (July 1932). This item is depicted St. Ursula porch with notes on scale.

One of many pencil sketches for Guilford Cathedral (St. Ursula’s porch, St. John the Baptist). Set ranges from rough sketches dated as early as December 1929 to the detailed scale drawings of 1939 and 1940. Many are annotated by Eric Gill. Total collection includes 15 sheets of original drawings, 2 architecture eleven studies, printed article on the Guilford Cathedral Competition results (July 1932). This particular drawing is set to ½” scale, as annotated by Gill.

Original drawing. Poster design: ink drawing which portrays Christ and an unemployed worker outside a factory and a sign “No Hands Wanted”. Bottom left corner left empty with annotations by Gill, including “Type in this space”.

From the William Rothenstein collection. Signed and numbered by Gill with a note on the matte from Rothenstein: “Engraving by Gill of Rachel, not, I think, like her, done while she was ill in bed.”