Mary Reeves headstone sketches, in pencil for front (crucifix roughly drawn and dated “Ap. ‘28”) and rear (female figure similar to “Our Lady of Lourdes”[Di137] dated by Gill April 25, 1928). 2 leaves, in folder 14 x 19 ½”. See Evan Gill Inscriptions #510.

Mary Reeves headstone sketches, in pencil for front (crucifix roughly drawn and dated “Ap. ‘28”) and rear (female figure similar to “Our Lady of Lourdes”[Di137] dated by Gill April 25, 1928). 2 leaves, in folder 14 x 19 ½”. See Evan Gill Inscriptions #510.

One of a series of three pencil drawings for proposed Manchester crucifix.

One of a series of three pencil drawings for proposed Manchester crucifix.

One of a series of three pencil drawings for proposed Manchester crucifix.

Drawing for carvings at the Morecombe Bay Hotel. Approximately 1/10th of full size, signed and dated “E.G., 9.5.’33”

Original drawing for B.I.A. Exhibition’s dining room wall, to be in 6” squares, two for space measuring 13’6” x 6’6”, another for 11’6” x 6’6”, and another for 11’6” x 6’6”. Series includes four pencil sketches on three leaves and signed E.G.

Original drawing for B.I.A. Exhibition’s dining room wall, to be in 6” squares, two for space measuring 13’6” x 6’6”, another for 11’6” x 6’6”, and another for 11’6” x 6’6”. Series includes four pencil sketches on three leaves and signed E.G.

Original drawing for B.I.A. Exhibition’s dining room wall, to be in 6” squares, two for space measuring 13’6” x 6’6”, another for 11’6” x 6’6”, and another for 11’6” x 6’6”. Series includes four pencil sketches on three leaves and signed E.G.

One of two pencil drawings of coat of arms, crest and motto of Haberdasher’s Hall to be carved on the back of Master’s chair.