Scope and Contents

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing depicts two warriors kneeling at the base of a tree and includes the words “AFRICA ASIA PALESTINE.”

Scope and Contents

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing shows a winged, horned horse. Numbered, “4.”

Scope and Contents

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing shows Phoenicians traveling by ship. Numbered, “3.”

Scope and Contents

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing shows an Egyptian “king.” Numbered, “2.”

Scope and Contents Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing shows two men working, one a carpenter and one cutting wheat, under a tree. Text reads: B.C. 4500 A.D....

Scope and Contents

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing shows a pharaoh standing over a man.

Scope and Contents

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing shows two men crouched under the weight of a large foot, with hieroglyphs in the background.

Scope and Contents

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing depicts a profile view of a plan for carving, with measurements outlined.

Scope and Contents

Part of a complete collection of 25 drawings made by Gill. He was commissioned to carve 10 panels symbolizing civilizations which most affected the history of Palestine (see Jerusalem Diary postscript in Gill Bibl. P.205). Although the carvings were reproduced in Jerusalem Diary (1953), these drawings were never published. Source: G.F. Sims, March 1962 (accession MS.1962.008). This drawing is a sketch on an envelope, presumably studies for several of the other drawings in the collection.

Scope and Contents

Design for inscription on stone, “Edmondus Warre…” Signed and dated by Gill.