Box Gill art 4
Contains 34 Results:
Evelyn Clay, undated
Portrait of Evelyn Clay in a three-quarter view.
Lord Rutherford, 1932 December 13
Line drawing of Lord Rutherford in three-quarter view, smoking a cigarette. Annotated in Gill’s hand
David Pepler, 1934 September 3
Three-quarter view drawing of David Pepler, signed in Gill’s hand.
Untitled (from D.M.H.), 1939 June 6
Drawing of female figure (D.M.H.) from the shoulders up. Woman is wearing her hair in braids.
After G. G. Coulton, St. John’s College, Cambridge, 1939 September 9
Three-quarter view drawing of G. G. Coulton. Dated, signed and annotated in Gill’s hand: “but he wouldn't keep still, he corrected me all the time.”
League of Nations, 1935 July 6
Original drawing for wall decoration of foyer of the Council Chamber, League of Nations Building. Signed, annotated & dated 6.July’35. Inscribed by Gill “Scale 1/50th full size.” Shows doors to the Council chamber and the frescoes, with lettering in red ink, above them. Some figures are heightened with peach colored pencil. Purchase, GF Sims, 1961 (accession MS.1961.010).
League of Nations, 1935 July 6
Original drawing for wall decoration of foyer of the Council Chamber, League of Nations Building. Signed, annotated & dated 6.July’35. Inscribed by Gill “Scale 1/50th full size.” Shows doors to the Council chamber and the frescoes, with lettering in red ink, above them. Some figures are heightened with peach colored pencil. This drawing includes two details of the left and right relief carvings (at ½” scale, with ½ equaling 1 foot).
Untitled (League of Nations sketches), undated
Two sketches of reclining nude male figure reached toward a disembodied hand. This appears to be the same image in two stages of planning progress.
Untitled (League of Nations sketches), 1937-1938
Sketch of one panel for the League of Nations project. Segments of the drawing are numbered to indicate how the pieces are being sent. Annotated in Gill’s hand to note what parts of the panels had and had not been sent.
Untitled (League of Nations sketches), 1937-1938
Sketch of a panel gridded off for carving. Depicts a reclined nude male figure reaching toward a disembodied hand. Text on panel heightened in red ink, and measurements annotated in Gill’s hand.