Box Gill art 10
Contains 173 Results:
Untitled [Raymond Asquith], 1923 February 7
8 Original drawings and sketches for stone carvings showing Christ receiving a mother and her children. Early drawings mostly signed and dated 1923. In memory of Raymond Asquith.
Cross and Candlesticks, 1923 November 14
A scale drawings in pencil and colored in red, yellow, blue and green of a proposed altar set to be carried out in wood and painted. Annotations in Gill’s holograph, signed and dated “E.G. 14.11.23”. Was mounted, removed from matt 6/03.
St. David’s Caldey Island, a baptismal font in Portland stone., 1928 July 29
One of two pencil sketches in 1” scale showing the font in three perspectives: top, middle and side. See Evan Gill Inscriptional work # 512.
St. David’s Caldey Island, a baptismal font in Portland stone., 1928 July 29
One of two pencil sketches in 1” scale showing the font in three perspectives: top, middle and side. See Evan Gill Inscriptional work # 512.
Untitled, 1928 March 30
Drawing for carvings of male and female figures, evidently intended for panels over doors or window. Similar in style to Broadcasting House sketches but not part of final unit.
Untitled, about 1928
Drawing for carvings of male and female figures, evidently intended for panels over doors or window. Similar in style to Broadcasting House sketches but not part of final unit.
Untitled, 1928 January 22
Drawing for carvings of male and female figures, evidently intended for panels over doors or window. Similar in style to Broadcasting House sketches but not part of final unit.
Untitled [St. Thomas Church], 1933 September 29
Schematic for carving of crucifix for placement in East Window area of St. Thomas Church, Hanwell. Reduced size- ½” scale for 6” squares with green, yellow, red and blue wash indicating the depth of cutting. Signed and dated E.G. 29.9.’33
Morecombe LMS Hotel, about 1933
Sketch of a seahorse
Morecombe LMS Hotel, about 1933
Sketch of a seahorse