Box Gill art 10
Contains 173 Results:
Untitled [Raymond Asquith], 1923 February 15
8 Original drawings and sketches for stone carvings showing Christ receiving a mother and her children. Early drawings mostly signed and dated 1923. In memory of Raymond Asquith.
Untitled [Raymond Asquith], about 1923
8 Original drawings and sketches for stone carvings showing Christ receiving a mother and her children. Early drawings mostly signed and dated 1923. In memory of Raymond Asquith. This drawing is on the back of a letter from Katherine Asquith.
Untitled [Raymond Asquith], about 1923
1 of 8 Original drawings and sketches for stone carvings showing Christ receiving a mother and her children. Early drawings mostly signed and dated 1923. In memory of Raymond Asquith. This item is on an envelope.
Untitled [Raymond Asquith], about 1923
1 of 8 Original drawings and sketches for stone carvings showing Christ receiving a mother and her children. Early drawings mostly signed and dated 1923. In memory of Raymond Asquith.
Untitled [Raymond Asquith], about 1923
8 Original drawings and sketches for stone carvings showing Christ receiving a mother and her children. Early drawings mostly signed and dated 1923. In memory of Raymond Asquith. This item is on an envelope addressed to Eric Gill, folded in half with pencil sketches on either side.
Untitled [Raymond Asquith], about 1923
8 Original drawings and sketches for stone carvings showing Christ receiving a mother and her children. Early drawings mostly signed and dated 1923. In memory of Raymond Asquith. This item is on an envelope addressed to Eric Gill, “on his majesty’s service.”
Untitled [Raymond Asquith], 1923 February 7
8 Original drawings and sketches for stone carvings showing Christ receiving a mother and her children. Early drawings mostly signed and dated 1923. In memory of Raymond Asquith.
Cross and Candlesticks, 1923 November 14
A scale drawings in pencil and colored in red, yellow, blue and green of a proposed altar set to be carried out in wood and painted. Annotations in Gill’s holograph, signed and dated “E.G. 14.11.23”. Was mounted, removed from matt 6/03.
St. David’s Caldey Island, a baptismal font in Portland stone., 1928 July 29
One of two pencil sketches in 1” scale showing the font in three perspectives: top, middle and side. See Evan Gill Inscriptional work # 512.
St. David’s Caldey Island, a baptismal font in Portland stone., 1928 July 29
One of two pencil sketches in 1” scale showing the font in three perspectives: top, middle and side. See Evan Gill Inscriptional work # 512.