One in a series of six architectural drawings in pen and ink. Interesting exercises in perspective, showing such subjects as pyramids, aqueducts, viaducts and buttresses. Highly-finished drawings in a most uncharacteristic style. All signed and dated 1932. All captioned by the artists and marked in his hand “Please Return to Eric Gill”. This drawing is captioned “English Railway Viaduct”.

One in a series of six architectural drawings in pen and ink. Interesting exercises in perspective, showing such subjects as pyramids, aqueducts, viaducts and buttresses. Highly-finished drawings in a most uncharacteristic style. All signed and dated 1932. All captioned by the artists and marked in his hand “Please Return to Eric Gill”. This drawing is captioned “Church near Paris”.

Proofs for the intended illustrations in Beauty looks after herself… 1933. Some are pencil sketches. This proof is the “English Railway Viaduct”.

Proofs for the intended illustrations in Beauty looks after herself… 1933. Some are pencil sketches. This proof is the “Tomb of Cheops”.

Proofs for the intended illustrations in Beauty looks after herself… 1933. Some are pencil sketches. This proof is the “Church near Paris”.

Proofs for the intended illustrations in Beauty looks after herself… 1933. Some are pencil sketches. This proof is the “Roman Aqueduct” and mounted on the back of an announcement card for watercolours and drawings.

Proofs for the intended illustrations in Beauty looks after herself… 1933. Some are pencil sketches. This proof is “S. Pierre, Chartres; Buttresses”.

Proofs for the intended illustrations in Beauty looks after herself… 1933. Some are pencil sketches. This proof is “Church in Asia Minor”.

Proofs for the intended illustrations in Beauty looks after herself… 1933. Some are pencil sketches. This sketch is on personal stationery.

Proofs for the intended illustrations in Beauty looks after herself… 1933. Some are pencil sketches. This sketch is on personal stationery.