A proposed logo for the magazine “ARTWORK” published by J.M. Dent and Sons Ltd.

Layout (in pencil) for p. 24, vol. IV, of CANTERBURY TALES, together with proof pulls of pp. 23-26 on vellum and on paper. NOTE: Layout consists of pencil sketch of tailpiece Pegasus (494), the 7 lines of text written out by the artists, and 8 short lines of instruction to the printer. Signed with initials at foot.

Layout (in pencil) for p. 24, vol. IV, of CANTERBURY TALES, together with proof pulls of pp. 23-26 on vellum and on paper.

Layout (in pencil) for p. 24, vol. IV, of CANTERBURY TALES, together with proof pulls of pp. 23-26 on vellum and on paper.

One of three sketches of a lighthouse for Pharos editions of Jonathan Cape. One is dated and signed, may not have been issued. This item is dated and signed.

One of three sketches of a lighthouse for Pharos editions of Jonathan Cape. One is dated and signed, may not have been issued.

One in a series of six architectural drawings in pen and ink. Interesting exercises in perspective, showing such subjects as pyramids, aqueducts, viaducts and buttresses. Highly-finished drawings in a most uncharacteristic style. All signed and dated 1932. All captioned by the artists and marked in his hand “Please Return to Eric Gill”. This drawing is captioned “Tomb of Cheops”.

One in a series of six architectural drawings in pen and ink. Interesting exercises in perspective, showing such subjects as pyramids, aqueducts, viaducts and buttresses. Highly-finished drawings in a most uncharacteristic style. All signed and dated 1932. All captioned by the artists and marked in his hand “Please Return to Eric Gill”. This drawing is captioned “Roman Aqueduct”.

One in a series of six architectural drawings in pen and ink. Interesting exercises in perspective, showing such subjects as pyramids, aqueducts, viaducts and buttresses. Highly-finished drawings in a most uncharacteristic style. All signed and dated 1932. All captioned by the artists and marked in his hand “Please Return to Eric Gill”. This drawing is captioned “Church in Asia Minor”.

One in a series of six architectural drawings in pen and ink. Interesting exercises in perspective, showing such subjects as pyramids, aqueducts, viaducts and buttresses. Highly-finished drawings in a most uncharacteristic style. All signed and dated 1932. All captioned by the artists and marked in his hand “Please Return to Eric Gill”. This drawing is captioned “St. Pierre, Chartres, Buttress”.