Box Gill art 10
Contains 173 Results:
Untitled [Jonathan Cape], 1931 October 25
One of three sketches of a lighthouse for Pharos editions of Jonathan Cape. One is dated and signed, may not have been issued. This item is dated and signed.
Untitled [Jonathan Cape], about 1931
One of three sketches of a lighthouse for Pharos editions of Jonathan Cape. One is dated and signed, may not have been issued.
Untitled [Architectural Drawings], 1932 July 31
One in a series of six architectural drawings in pen and ink. Interesting exercises in perspective, showing such subjects as pyramids, aqueducts, viaducts and buttresses. Highly-finished drawings in a most uncharacteristic style. All signed and dated 1932. All captioned by the artists and marked in his hand “Please Return to Eric Gill”. This drawing is captioned “Tomb of Cheops”.
Untitled [Architectural Drawings], 1932 July 31
One in a series of six architectural drawings in pen and ink. Interesting exercises in perspective, showing such subjects as pyramids, aqueducts, viaducts and buttresses. Highly-finished drawings in a most uncharacteristic style. All signed and dated 1932. All captioned by the artists and marked in his hand “Please Return to Eric Gill”. This drawing is captioned “Roman Aqueduct”.
Untitled [Architectural Drawings], 1932 July 31
One in a series of six architectural drawings in pen and ink. Interesting exercises in perspective, showing such subjects as pyramids, aqueducts, viaducts and buttresses. Highly-finished drawings in a most uncharacteristic style. All signed and dated 1932. All captioned by the artists and marked in his hand “Please Return to Eric Gill”. This drawing is captioned “Church in Asia Minor”.
Untitled [Architectural Drawings], 1932 July 31
One in a series of six architectural drawings in pen and ink. Interesting exercises in perspective, showing such subjects as pyramids, aqueducts, viaducts and buttresses. Highly-finished drawings in a most uncharacteristic style. All signed and dated 1932. All captioned by the artists and marked in his hand “Please Return to Eric Gill”. This drawing is captioned “St. Pierre, Chartres, Buttress”.
Untitled [Architectural Drawings], 1932 July 21
One in a series of six architectural drawings in pen and ink. Interesting exercises in perspective, showing such subjects as pyramids, aqueducts, viaducts and buttresses. Highly-finished drawings in a most uncharacteristic style. All signed and dated 1932. All captioned by the artists and marked in his hand “Please Return to Eric Gill”. This drawing is captioned “English Railway Viaduct”.
Untitled [Architectural Drawings], 1932 July 31
One in a series of six architectural drawings in pen and ink. Interesting exercises in perspective, showing such subjects as pyramids, aqueducts, viaducts and buttresses. Highly-finished drawings in a most uncharacteristic style. All signed and dated 1932. All captioned by the artists and marked in his hand “Please Return to Eric Gill”. This drawing is captioned “Church near Paris”.
Untitled [Beauty looks after herself], about 1932 May-August
Proofs for the intended illustrations in Beauty looks after herself… 1933. Some are pencil sketches. This proof is the “English Railway Viaduct”.
Untitled [Beauty looks after herself], about 1932 May-August
Proofs for the intended illustrations in Beauty looks after herself… 1933. Some are pencil sketches. This proof is the “Tomb of Cheops”.