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Brandon Thomas-Leverson Archive

 File
Identifier: MS.2014.012

Scope and Contents

This collection features an assortment of handwritten correspondence, photographs, journals, and scrapbooks detailing the public and private happenings of the Thomas-Leverson family, dating mostly between the late 19th and early 20th centuries. Much of the written narrative regarding the family's history was produced by the youngest daughter, Silvia Brandon Thomas. The collection contains numerous autograph letters, a great bulk of which are addressed either to Brandon Thomas or to his daughter Amy from senders of eminent background within the late 19th century London performing scene such as Cyril Maude, Seymour Hicks, and Henry Irving.

Photographs comprise the majority of the visual materials within this collection, and as such, the archive offers a view into the types of photographic production and processing methods employed in the mid-19th to mid-20th centuries.

Dates

  • Creation: 1850-1983

Conditions Governing Access

This collection is open for research.

Publication Rights

The Clark Library owns the property rights to its collections but does not hold the copyright to these materials and therefore cannot grant or deny permission to use them. Researchers are responsible for determining the copyright status of any materials they may wish to use, investigating the owner of the copyright, and obtaining permission for their intended publication or other use. In all cases, you must cite the Clark Library as the source with the following credit line: The William Andrews Clark Memorial Library, University of California, Los Angeles.

Biographical Note

Brandon Thomas (1848-1914) was a playwright, songwriter, and performer whose farce Charley’s Aunt helped him achieve international renown. Born on December 24, 1848 as the first child of Walter Thomas and Hannah Thomas (née Morris), Brandon experienced a childhood of inconsistent financial resources and inconsistent schooling. His father, while a skilled bootmaker, was prone to making rash business endeavors that often left the family financially struggling. By the age of 12, Brandon was removed from school entirely to work as an apprentice at the Liverpool dockyards to provide for his family. His mother ran a small lodging business out of the family’s home, with one of the tenants being than unknown stage performer Henry Irving. Irving’s relationship with the Thomas family would profoundly inspired Brandon to pursue a similar path.

While working clerical jobs for the next decade of his life, Thomas continued to develop his skills as a performer and writer. He caught the attention of William Grimston and Madge Kendal (together known as “the Kendals”), and was recruited into their company at the Court Theatre in 1879. Thomas went on to tour with Kendal Company in America, receiving popular acclaim for his performance in and writing of the burlesque play “A Pantomime Rehearsal”. His magnum opus Charley’s Aunt made its premier at the Theater Royal at Bury St. Edmunds in February, 1892. The first run of the play featured popular London comedian W.S. Penley in the role of “Charley’s Aunt”, becoming an instant hit that met a run of 1,469 performances over the course of 3 years.

Thomas’ marriage to Marguerite Leverson was initially met with great disapproval from Marguerite’s father James Leverson, but the two eventually married on December 22, 1888. In time, the couple would have four children: Amy Marguerite (born 1890), Jimmy (James) Grant (1894), Jevan Roderick (1898), and Silvia Blanche (1905). Tragically, Jimmy died from injuries sustained as a lieutenant in the early months of WWI. Both Amy and Jevan continued to be actively involved in the family’s performing business, and while Silvia was a dancer, actress, and a theatrical manager for an earlier part of her life, she later went on to pursue a career as a journalist at the BBC.

Extent

6.3 Linear Feet (8 boxes)

Language of Materials

English

Abstract

The Brandon Thomas-Leverson Archive is a collection of scrapbooks, photographs, letters, and journals pertaining to the Brandon-Leverson household that was largely compiled by Silvia Brandon Thomas, the daughter of actor and playwright Brandon Thomas. The materials in this collection capture intimate moments within the Brandon-Leverson’s family life as well as the family’s associations with other fin de siècle artists and writers such as Henry Irving, Oscar Wilde, and W.S. Penley.

Arrangement

This collection has been divided into three series:

1. Family Narratives and Recordkeeping 2. Letters and Correspondence 3. Photographs and Other Visual Materials

Physical Location

William Andrews Clark Memorial Library

Acquisition Information

Purchased from daiad fine books in 2014.

Separated materials

Printed copies of Brandon Thomas' farce Charley's Aunt were removed from the archive and are catalogued separately. Please consult the Clark Library's holdings on the UCLA online library catalog for more information about how to access these items.

The copies of Charley's Aunt that were originally part of the archive include editions that had been translated into Czech and Italian. The collection also came with a 1st edition copy of Where's Charley?.

Processing History

This collection was processed and this finding aid written in 2018 by Joyce Wang.

Title
Finding aid to the Brandon Thomas-Leverson Collection
Status
Completed
Author
Finding aid by Joyce Wang
Date
2018
Description rules
Describing Archives: A Content Standard
Language of description
English
Script of description
Latin

Repository Details

Part of the William Andrews Clark Memorial Library Repository

Contact:
2520 Cimarron Street
Los Angeles 90018 USA us
(310) 794-5155